…The Rue 114 aesthetic is heavily influenced by Africa and responds to the call of what today’s woman; whether in Laos, Lagos, or Los Angeles; needs to be edgy, unique,…
Search Results for: label/Noh-Nee
APiF: Please introduce your business and your designs. Samira Machold: Inheritance design is a young upcoming Afrocentric fashion and design label based in Vienna, Austria. It focuses on high quality…
…of vintage flair. The aesthetic of the label is finding fabrics that inspire creativity. The label’s initiative is to support domestic commerce by using fabrics, trims, notions, and production facilities…
This is my favorite piece – doesn’t it look glam?Check out the new Spring/Summer 2012 collection from Mina Evans. “Terra Firma” (=Latin for firm or solid ground), so the name…
…Jezreel Designs: I personally hate the whole “trend”! Africans have been wearing it for years and don’t need the fashion world to validate it. It is here to stay because…
APiF: Please introduce your business and your designs. Naa: At Roots our vision is creating fashion accessories using African fabrics and African embellishments like beads, twine, etc. Our designs range…
“It’s okay to BEE funky sometimes” APiF: Please introduce your business and your designs: Bee Arthur: B’EXOTIQ is an eclectic line of chic clothing which reflects my multi-cultural background. APiF:…
…people and find customers. So, you will need to not only be creative, but be able to explain your process as well. Find out more: http://www.nitrasit.com http://www.ustream.tv/channel/nitrasit http://nitrasit.tumblr.com/ http://nitrasit.blogspot.com/ http://www.etsy.com/people/nitrasit…
APiF: Please introduce your business and your designs. Houseofadjeiwaah: The House of Adjeiwaah is a contemporary clothing line fusing African and Western inspired garments to cater for the modern women…
Studs APiF: Please introduce your business and designs. Sharmay Mitchell: YouLike IMake grew out of my desire to create the pieces of jewelry and accessories floating around in my imagination….









